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Once this is operational, you can mix in the expanded vocal signal alongside the unexpanded one to achieve the desired degree of automatic gain‑riding. In Cubase, the trick to managing this is to send signal from your lead‑vocal channel to a Group Channel with the VST3‑format Expander plug‑in inserted, and then configure that plug‑in to respond (via its side‑chain) to the level of the backing track. However, there is a way to take the sting out of this frequently tedious job, and that is to set up some processing that monitors the level of the backing track and then applies corresponding gain changes to the vocal track to compensate for the masking effects.
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Because of this, a lot of effort goes into the micro‑automation of vocal levels in professional productions, and if you want to compete on that level, you can't afford to ignore the issue. In case you don't see the point of riding vocal levels, the basic concept is this: even if you compress a vocal heavily, its subjective level will nonetheless appear somewhat inconsistent because the backing track will mask the vocal more the louder it gets, and the amount of masking will change rapidly from moment to moment a loud drum hit will mask the vocal more than a quieter acoustic‑guitar strum, perhaps.
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You can see roughly what it should look like in the drop‑down Send menu here. In order to get the lead‑vocal Expander to respond to the backing track, you need to send to the plug‑in's side‑chain input. Vocal Rider Vst Free Download Automatic Vocal Riding Basics and it turns out that it is! So here's how you do it. If you're wondering what the hell any of this has to do with Cubase, well, I'm also a Cubase user and, spurred on by memories of frappucino catastrophe, I recently began wondering if it would be possible to implement a similar automatic vocal‑riding scheme in Cubase too. So when I noticed the plug‑in's price‑tag, my low‑fat cinammon frappucino almost spurted out of my nose! I'm sure that Waves' boffins have put some very whizzy technology under Vocal Rider's bonnet, but there's just something in me that rebels against parting with the cost of curry for 12 in return for something that simply adjusts gain, especially when I'm already pretty happy with my home‑brew alternative. I was intrigued to hear about the launch of Waves' Vocal Rider vocal-level automation plug‑in, because vocal micro‑automation is a regular part of my normal mixing process particularly intrigued, in fact, because I'd already implemented a similar scheme using Cockos Reaper's dynamic parameter modulation. Notice that the external side‑chain input (the orange button at the top) is activated. Here's you can see some suggested settings for Expander at the centre of this month's setup.
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Waves' ground‑breaking Vocal Rider plug‑in takes the pain out of vocal level‑automation, but if your budget can't stretch, you can get part of the way there using nothing more than Cubase 5's built-in processors. Throw it on your vocal and enhance it to. This one comes in a free plugin bundle with all sorts of fun mixing toys.
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